this job is not nearly as easy as it sounds.
i know. it surprised me, too.
but comparing the challenge of drawing for a client to the difficulties of any other job is like comparing seal's kiss from a rose to voltaire's candide.
i don't know if it was harder lifting fifty pound sacks forty hours a week as a pet shop carryout, or harder to remain funny for non-tipping tourists after a lunch-less nine hour shift as a tour guide. they're just not the same-- they were difficult and easy in their own ways.
it's difficult to have to revise my drawings over and over, but it's easy to be drawing all day. and the challenge-- the level of importance-- is amazing in both quantity as well as quality. besides, if i weren't frustrated and panicked, i would be bored.
i'm enjoying impending deadlines, potential telepathy, and the general respect i get for being the only illustrator on a team of coders and comedians. it definitely beats asking "how may i assist you?" all day while being graded on how genuine the question sounded.
but, till the release of this app, my spare time will be spent in the immediate vicinity of my wacom and my whiskey. they don't believe i can get all twenty drawings done by wednesday and i believe i can get them done by tuesday.
it's on.
anyway, i've been getting more and more comfortable with both illustrator and the wacom. i've also been keeping up with something like a tri-weekly freestyle drawing session.
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the one above was a test of illustrator's watercolor tool. lightweight giraffe. i was hoping to get a sort of children's book feel. though, the vomit and the poorly drawn brown-bagged forty might've ruined that. i guess it depends on the type of parents. but it'd be a good ska album cover either way.
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anyway, i have sixteen drawings left and a breakfast-meeting sunday morning. but after the meeting things should slide along like a greased cat.
wish me pleasant chaos!
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