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The "four skills" and "five methods" are a simple codification of the areas of special training for theatre performers, and also stand as something of a metaphor for the most well-rounded and thoroughly trained performers. The "four skills" apply to the whole spectrum of vocal and dramatic training: singing, acting and movement, delivery of the "speech-types" and martial and "gymnastic skills," while the five methods are categories of techniques associated with specific body parts: hands, eyes, body, hair, feet or walking techniques.

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Cantonese opera has much in common with other Chinese theatre genres. Commentators often take pride in the idea that all Chinese theatre styles are but minor variations on a pan-Chinese music-theater tradition, and that the basic features or principles are consistent from one local performance form to another. Thus, music, singing, martial arts, acrobatics and acting all feature. Most of the plots are based on Chinese history and famous Chinese classics and myths. The culture and philosophies of the Chinese people can be seen in the plays. Virtues like loyalty, moral, love, patriotism and faithfulness are often reflected by the operas.

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Beginning in the 1950s massive waves of immigrants fled Shanghai to destinations like North Point. Their arrival boosted the Cantonese opera fanbase significantly.

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Many well-known operas performed today, such as The Purple Hairpin and Rejuvenation of the Red Plum Flower, originated in the Yuan Dynasty, with the lyrics and scripts in Cantonese. Until the 20th century all the female roles were performed by males.

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There is a debate about the origins of Cantonese opera, but it is generally accepted that the opera form was imported from the northern part of China and slowly migrated to the southern province of Guangdong in late 13th century, during the late Southern Song Dynasty. In the 12th century, there was a theatrical form called "Southern style" (Chinese: 南戲 (Cantonese: Naam4 hei3, Mandarin: Nánxì)), which was performed in public theaters of Hangzhou, then capital of the Southern Song Dynasty. With the invasion of the Mongol army, Emperor Gong of Song dynasty, called Zhào Xiǎn (趙顯 Chiu Hin), fled with hundreds of thousands of Song people into the province of Guangdong in 1276. Among these people were some Narm hei artists from the north. Thus narm hei was brought into Guangdong by these artists and developed into the earliest kind of Cantonese opera.

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Cantonese opera is one of the major categories in Chinese opera, originating in southern China's Cantonese culture. It is popular in Guangdong, Guangxi, Hong Kong, Macau, Singapore and Malaysia. Like all versions of Chinese opera, it is a traditional Chinese art form, involving music, singing, martial arts, acrobatics, and acting. 粵劇 (Jyut6 kek6) should not be confused with 越劇 (Yuèjù), the theatre of Zhejiang.

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